Castles etc

Last week I visited the splendid global headquarters of the Institution of Civil Engineering (ICE) at 1, Great George Street, just off Parliament Square and within a stone’s throw of the Houses of Parliament, Westminster Abbey and the Royal Courts of Justice. It is a huge Grade II listed building, designed by James Miller RSA, and built between 1910-1913, an era of huge (if unknowingly teetering on the cusp of collapse) Imperial self-confidence. There it stands in all its Imperial glory; a ‘monumental neo-classical design’ in Portland stone, and I have to say that it is extremely impressive – both outside and in.

The Institution of Civil Engineering (ICE)

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This weekend is the August Bank Holiday and, as the traffic to my blog is fairly quiet, I’m giving myself a small break. I have an interesting blog planned but it can wait a week.  So, today, I’m looking at my browser background, that is, the photos I have as a background on my browser, and why I chose them.

Odeschalchi Castle, Bracciano. I liked this shot of the view taken halfway down the castle on the way out – it gives the picture depth

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Today, I’m visiting Powis Castle near Welshpool; I love castles, and this one is both impressive and  has stunning gardens. The earliest castle on the site dates back to the 13th century, but little remains. The old red sandstone castle, perched on its rocky outcrop which we see today, dates back to late Medieval times with a lot of subsequent rebuilding, repairing and extension in the 16th century when it came into the hands of the Herberts.

Powis Castle with the lead statue of Fame in front of it

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I’ve always loved Victorian magic shows with their sleights of hand and appearances that trick the eye. To my delight, this year’s exhibition, Queen Victoria’s Palace, at the Summer Opening of the Buckingham Palace State Rooms, offers a genuinely Victorian touch of magic with an optical illusion known as Pepper’s Ghost. I couldn’t wait.

But first, a bit of background…

Queen Victoria by Thomas Scully, 1837-9. She’s Queen, she’s unmarried, and Life beckons. Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2019.

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This week I’m in Rochester, an important naval town on the River Medway which flows into the Thames. There is a huge amount to see in Rochester from Roman times onwards, but today I’m looking at one house.

Being a Charles Dickens fan, I have long wanted to visit Restoration House, supposedly Dickens’  inspiration in Great Expectations for Miss Havisham’s home, Satis House, that ‘large and gloomy’ place, full of dust, cobwebs and shadows and lit only by candlelight. It is here that the young Pip is entrapped by Miss Havisham’s desire to seek revenge, through him, for her lover jilting her so cruelly on her wedding day.

Restoration House

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It wasn’t until I visited Bulgaria that I realized what a challenging history it’s had. It lies between the River Danube (with Romania) to the north, the Black Sea to the east, Greece and Turkey to the south and Serbia and Macedonia to the west. Historically, its borders have always been under threat and, over the centuries, they have expanded and contracted. 5000 years ago, they were invaded by the Thracians who came from Asia, bringing the Bronze Age with them. The Romans, coming up from the south, staked their claim to the country in the 1st century AD. In AD 300, the Emperor Constantine moved his capital to nearby Byzantium, renamed it Constantinople and Bulgaria, inevitably, became part of his Empire. By the 9th century, Bulgaria had converted to Greek Orthodox Christianity.

Nessebar: Greek Orthodox Church of Christ Pantokrator

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I have long been a fan of the architect Sir John Soane (1753-1837); and his London home in Lincoln’s Inn Fields, now Sir John Soane’s Museum, is one of my favourite places. I love its quirkiness, its ingenious use of light – long horizontal windows in strange places, like just below the ceiling and skylights letting in light from above – and the unexpectedly vibrant colours he liked to use.

Sir John Soane by Sir Thomas Lawrence, courtesy of the National Portrait Gallery

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When I was a child, The Armourer’s House by Rosemary Sutcliff, set in Tudor London,, was one of my favourite books. So when I heard that the Islington Archaeology & History Society had arranged a visit to The Armourers’ Hall, I jumped at it.

My first glimpse inside the Armourers’ Hall didn’t disappoint. I loved the red-carpeted staircase with a suit of armour either side and weapons on the walls. 

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