Exhibition

I first came across the Italian artist, Artemisia Gentileschi (1597-1652), in Our Hidden Heritage by Eleanor Tofts, published in 1974. It was one of those books at the forefront of the Women’s Liberation Movement of the 1970s which sought to re-instate women writers, artists and composers whose works had been forgotten or downgraded.

Our Hidden History by Eleanor Tofts, 1974

Artemisia was taught to paint by her father, Orazio Gentileschi, in Rome. Both were influenced by the new style of the painter, Caravaggio, with its accentuated use of shadows, strong colours and dramatic story-telling. Artemisia became known for her wit and high-spirits, as well as her painting. But, when she was only seventeen, her life took a traumatic turn. She was raped by a friend of her father’s, a fellow painter called Agostino Tasso. Orazio appealed to the Pope and Agostino was brought to trial. Artemisia was cross-questioned under torture but held firm, and Tasso was imprisoned for eight months. Poor Artemisia was hastily married off and moved to Florence.

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This is the culprit – one of the items in the Undressed: a Brief History of Underwear exhibition at the Victoria & Albert Museum. The signage tells us that it is a cuirass bodice dress in silk satin and lace, dating from 1876 and adds that it was considered shocking at the time because….  I thought it might be fun to look more closely at why it was so shocking.

Cuirace dress close up

Cuirass bodice dress, 1876

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I always like to end a visit to a exhibition by walking round swiftly one last time and choosing an object to take home. It doesn’t have to remotely practical – this is Fantasy-land, after all, and I can have anything I like. In the V & A’s exhibition Undressed: A Brief History of Underwear I was spoilt for choice.

41 Negligee for Berenice Marlohe

Negligée in silk satin and Chantilly lace, 2012

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A week or so ago, I was invited to the preview of the V & A’s terrific new exhibition Undressed: A Brief History of Underwear. Lucky me, I thought,  at last I shall be able to see exactly what a Regency Buck wore underneath his skin-tight pantaloons and superbly-tailored coat.

39 Brass bra & Harem pants 1970

Brass bra and harem pants, 1970

Fortunately, the hunky cameramen wielding tripods and cameras were more transfixed by the 1970s brass bra and harem pants, not to mention the sexy silk satin and lace negligée as worn by Bérénice Marlohe, the femme fatale Bond girl in Skyfall, than by the Regency male underwear on display. The woman standing next to me raised her eyes to the ceiling and muttered, ‘Typical!’ So I was able to study the Regency Buck undressed in peace.

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The Queen’s Gallery has two exhibitions on at the moment. The larger exhibition space is showing  Scottish Artists 1750-1900: from Caledonia to the Continent which I also saw at the Bloggers’ Breakfast preview last week. All the pictures come from the Royal Collection and the exhibition’s subtitle is well chosen – Sir Walter Scott’s phrase ‘Caledonia stern and wild’ comes to mind. I’m concentrating on just four of the paintings which George IV, Queen Victoria and Prince Albert bought that show their love of Scotland.

Deborah Clarke talks

Deborah Clarke talks about the exhibition

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On Friday, I had the great pleasure of being invited to the Bloggers’ Breakfast at the Queen’s Gallery, Buckingham Palace, to a preview of the new exhibition, Maria Merian’s Butterflies. We had to be there by 8.30am – something of a shock to the system as I discovered that, even at 7.45am, it was standing room only on the Victoria line. Fortunately, a choice of tea, coffee or fruit juice and a variety of delicious pastries awaited us on arrival. There was time to meet the other bloggers, together with the curators of the exhibitions.

1. Bloggers breakfast

Bloggers’ Breakfast

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The V & A’s exciting new exhibition Curtain Up: Celebrating 40 Years of Theatre in London and New York celebrates the creative cross-fertilization between Broadway and London’s West End theatres since 1975. The exhibition rooms have been transformed into a backstage space, full of mysterious shadows and bright ever-changing lights in neon blues and reds. The V & A wants to entice you into a world which is larger, brighter and more glamorous than ordinary life. And, on this chilly February day, it’s more than welcome!

Exhibitiion entrance

Exhibition entrance

Theatrical spectacle is all about creating the right effect: everything is bigger, bolder and more glitzy than in real life, and there’s nothing like seeing the actual costumes from big hits to be struck by their impact.

Phantom 1

Michael Crawford’s suit for Phantom of the Opera

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