This week I’m in Rochester, an important naval town on the River Medway which flows into the Thames. There is a huge amount to see in Rochester from Roman times onwards, but today I’m looking at one house.
Being a Charles Dickens fan, I have long wanted to visit Restoration House, supposedly Dickens’ inspiration in Great Expectations for Miss Havisham’s home, Satis House, that ‘large and gloomy’ place, full of dust, cobwebs and shadows and lit only by candlelight. It is here that the young Pip is entrapped by Miss Havisham’s desire to seek revenge, through him, for her lover jilting her so cruelly on her wedding day.
Continue reading Restoration House: from Charles II to Miss Havisham
Power dressing is not a modern phenomenon, as the new exhibition Charles II: Art and Power at The Queen’s Gallery amply shows.
King Charles I by Edward Bower, 1649
The exhibition opens with Edward Bower’s remarkable portrait of King Charles I at his trial before the High Court of Justice in the Great Hall of the Palace of Westminster in January 1949. It is obvious that the King knows exactly how to convey his contemptuous refusal of the court’s right to try an anointed king. He sits on a red velvet armchair – and refused either to stand or to take off his hat – his accusers were not his equals and he didn’t owe them any courtesy. His hat is tall, wide-brimmed and visible; it must have been carefully chosen to make the maximum impact.
Continue reading Queen’s Gallery Charles II: The Language of Clothes