I always look forward to the annual exhibition at Two Temple Place, next to Somerset House, and this year is no exception. Rhythm & Reaction: the Age of Jazz in Britain examines the influence of jazz on British art, design, music and society over the last 100 years. It’s a lively and thought-provoking exhibition, full of amazing objects. 1920s and 30s jazz plays in the background. At one point, I was talking to two other visitors about an old gramophone on display and, within minutes, we were singing snatches of Ambrose’s Tiger Rag to each other – it’s that sort of exhibition.
New music, new instruments: left: saxophone 1938, silver-plated brass; and right: soprano saxophone, silver-plated brass, 1929
Continue reading 2 Temple Place: Jazz. the Shock of the New
I always like to end a visit to a exhibition by walking round swiftly one last time and choosing an object to take home. It doesn’t have to remotely practical – this is Fantasy-land, after all, and I can have anything I like. In the V & A’s exhibition Undressed: A Brief History of Underwear I was spoilt for choice.
Negligée in silk satin and Chantilly lace, 2012
Continue reading Seductive Negligée Lady meets Y-fronts Man
A week or so ago, I was invited to the preview of the V & A’s terrific new exhibition Undressed: A Brief History of Underwear. Lucky me, I thought, at last I shall be able to see exactly what a Regency Buck wore underneath his skin-tight pantaloons and superbly-tailored coat.
Brass bra and harem pants, 1970
Fortunately, the hunky cameramen wielding tripods and cameras were more transfixed by the 1970s brass bra and harem pants, not to mention the sexy silk satin and lace negligée as worn by Bérénice Marlohe, the femme fatale Bond girl in Skyfall, than by the Regency male underwear on display. The woman standing next to me raised her eyes to the ceiling and muttered, ‘Typical!’ So I was able to study the Regency Buck undressed in peace.
Continue reading The Regency Buck – undressed.