In the 21st century, Church of England clergy are hard-working men and women – usually running a number of parishes, as well as struggling to pay for the upkeep of churches which may be in need of serious repair. They are expected to have several services on Sundays, possibly in different parishes, and to see to the spiritual needs – and often the material needs, if the parish is a poor one, of their parishioners. They are also pretty poorly paid. Still, at least they can count on a roof over their heads and the job carries a pension and the security of knowing that they will have somewhere to live once they retire.
My late 19th century copy of Manners and Rules of Good Society by ‘A Member of the Aristocracy’ deals with everything a novelist or reader could possibly want to know about how Society operated and, as far as I can tell, the same rules applied in the Regency period. This week, I want to look at the knotty question of how one introduces somebody to someone else with regard to Jane Austen’s novels, or, indeed, any Historical novel set before the First World War.
‘Manners and Rules of Good Society’ by a Member of the Aristocracy. My copy is an 18th edition which dates from 1892
I’m sure I’m not just speaking for myself when I say that novelists choose the surnames of their characters with great care. I certainly agonise over mine. I was reminded of this when reading Maggie Lane’s brilliant Jane Austen and Food. In it, she makes the perceptive point that Mrs Norris in Mansfield Park is ironically named – from the French nourrice, a nurse. She behaves in the most un-nurturing way towards Fanny Price and seems to take every opportunity to put her down.
‘My dear Sir Thomas, Fanny can walk.’ says Mrs Norris. Illustration by Hugh Thomson for Mansfield Park
Today, I’m re-visiting the Royal Mews, looking the various coaches and landaus, and, of course, the gold ‘Coronation’ coach. Landaus feature in Jane Austen’s novels; the obnoxious Mrs Elton, in Emma, boasts about her sister’s barouche-landau – which she takes every opportunity to mention (presumably because Emma doesn’t have one at Hartfield). But what exactly is a landau?
Queen Alexandra’s State Coach dates from 1865. It was used regularly by King Edward VII and Queen Alexandra
A carriage is the general term for any horse-drawn passenger vehicle, from the humble gig to the Gold Coronation Coach. A coach is simply a large carriage. Basically, all landaus are coaches but not all coaches are landaus.
I have long been fascinated by Jane Austen’s choice of first names for her characters, and today I’m looking at how the early 19th naming system worked. The 1800 name pool was, by modern standards, surprisingly small, and this is echoed in Jane Austen’s constant reuse of the same names. Take the name Mary; there are two Marys in Pride & Prejudice (Mary Bennet and the heiress Mary King, pursued by Wickham); a Mary Crawford in Mansfield Park; and Mary Musgrove in Persuasion. According to research done by The Names Society, Mary was the most common girl’s name in 1800, closely followed by Anne and Elizabeth, so perhaps we should not be surprised. Jane Austen even calls two major characters by her own Christian name, Jane, which comes in at number 5 in the 1800 list. There is Jane Bennet in Pride & Prejudice and Jane Fairfax in Emma.
I have been re-reading Jenny Uglow’s In These Times: Living in Britain Through Napoleon’s Wars, 1793-1815 in which she demonstrates very clearly how the Napoleonic Wars permeated every aspect of life for twenty-two long years and affected everybody – including Jane Austen’s characters – as the country faced the urgent need for men for the armed forces, military supplies, ships, a modern transport system, efficient banking, and so on.
Captured Napoleonic Eagle of the 105th by the Royal Dragoons at the Battle of Waterloo,1815, in the Household Cavalry Museum (copy)
This post is a refutation of those critics who assert that Jane Austen’s novels concentrate only on domestic everyday life as lived by the English upper-middle classes.Jane Austen, they say, ignores the wider picture and fails to mention the Napoleonic Wars. This, in my opinion, is simply not true. In fact, the war is a constant, and important, background to her novels; the problem is that most modern readers fail to recognize her references to it.
Jane Austen’s niece, Anna Austen Lefroy (1793-1872) was, as far as we know, her only relation who was also a novelist – though, in her case, an aspiring one. When she was nineteen, Anna asked her aunt various questions regarding her own novel Which is the Heroine? For example: does Dawlish have a decent library? Jane’s answer was that it was ‘pitiful and wretched’. What I found interesting was that Jane understood her niece’s concern to get things right. Both wrote contemporary novels and they both knew that accuracy was important.
The importance of precedence is a major theme in Jane Austen’s last novel Persuasion, and this post looks at the ramifications of this. Persuasion’s opening scene shows Sir Walter Elliot’s perusal of the Baronetage, the most important book in his library, which charts the lineage of the Elliot family from its first mention in Sir William Dugdale’s Baronetage of England (1675-6) to Sir Walter’s own entry in the 1790s.
In this post, I want to look at the curious fact that none of Jane Austen’s heroines (whose ages range between seventeen and twenty-seven) or her heroes (whose ages range from about twenty-four to thirty-seven) have living grandparents. Indeed, that older generation of, say, sixty plus, seems to be missing. Can this be true? And, if so, what difference does it make? To answer these questions, we need a bit of background information about life expectancy in the early 19th century. Edwin Chadwick’s ground-breaking 1842 survey on public health, tells us that the life expectancy of a member of the gentry or professional class in Rutland (chosen as a typical rural location) was fifty-two; and for an artisan or labourer, it was thirty-eight. There are, of course, a number of factors to be taken into account: infant mortality rates, for example, but for the purpose of this post, I’m staying with the basic facts, as near as we can get them.
The only young lady in Jane Austen’s novels with a living grandparent is Jane Fairfax in Emma who has the aged Mrs Bates, ‘a very old lady, almost past everything but tea and quadrille.’ I’ll be looking at how old Mrs Bates actually is later.