The Intrepid Edith Durham: Traveller and Collector

Every now and then my local library has a book sale and some years ago, whilst eagerly scanning the book titles, one of Virago’s familiar dark green covers caught my eye. It was High Albania by a woman I’d never heard of, Edith Durham, (1863-1944). First published in 1907, it was an eye-witness account of her hair-raising travels in the mountains of Albania. Intrigued, I bought it.

High Albania by Edith Durham

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John Ruskin: the Power of Seeing

John Ruskin (1819-1900), an art critic and a man who held strong views on what values a society should hold, was one of the most influential men of his generation. For example, when Lucy Honeychurch, heroine of E. M. Forster’s A Room with a View (1908) visits the church of Santa Croce in Florence, she’s desperate to know which tombstone was praised by Ruskin. This is her first trip abroad and she’s unsure of her own taste; she needs the reassurance that she’s admiring the right one.

However, I think it’s fair to say that Ruskin is not always an easy person to appreciate in the 21st century. Nowadays, we like to view ourselves as liberal-minded and tolerant, particularly in sexual matters. An intellectually very gifted only child, Ruskin was brought up on strict Puritanical principles and cossetted by both parents. His mother had high moral standards and was a very controlling parent. It is not surprising that Ruskin turned out to be obsessive, sexually inhibited and highly-strung.

Watercolour sketch of a coastal scene with fortress by John Ruskin, 1841

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2 Temple Place: Jazz. the Shock of the New

I always look forward to the annual exhibition at Two Temple Place, next to Somerset House, and this year is no exception. Rhythm & Reaction: the Age of Jazz in Britain examines the influence of jazz on British art, design, music and society over the last 100 years. It’s a lively and thought-provoking exhibition, full of amazing objects. 1920s and 30s jazz plays in the background. At one point, I was talking to two other visitors about an old gramophone on display and, within minutes, we were singing snatches of Ambrose’s Tiger Rag to each other – it’s that sort of exhibition.

New music, new instruments: left: saxophone 1938, silver-plated brass; and right: soprano saxophone, silver-plated brass, 1929

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