Celebrating the Arts

This year, the Buckingham Palace State Rooms’ summer opening to the public has Royal Gifts as their theme. These are gifts that have been given to The Queen during her reign as part of the State Visits’ formal exchange of gifts. It is an opportunity for both countries to showcase their countries’ craftsmanship as well as to give something which they think the recipient will appreciate.

It is like entering in Aladdin’s cave. One of the most spectacular gifts is the ornate gold presentation tray from Ethiopia. Its inscription reads:

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Visiting the Musical Museum near Kew Bridge last week was huge fun and it’s something I thoroughly recommend. So what’s it about? It comprises a large collection of 19th – early 20th century self-playing musical instruments and (and this is the fun bit) most of them still work. I went on a group tour, guided by the wonderful Roy Huddlestone – now eighty-six and looking twenty years younger – who not only knows the various instruments and their stories inside out but also demonstrates them, to thrilling effect. Until you’ve heard the Popper ‘Clarabella’ Orchestrion, which, in its 1910 heyday thrilled customers in a German Bier Garten, complete with flashing lights and lit up ornamental waterfall, not to mention a bronze statue of the Pied Piper, belting out popular tunes fortissimo with full orchestral piano, xylophone, Glockenspiel, drums, cymbals and triangle, you ain’t lived.

Orchestrion from the front

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Every other Sunday, Leonard’s Shoe Repairs and Dry Cleaners, 22 Chapel Market, Islington, undergoes a transformation. A banner appears over the shop fascia board saying TOM KILGALLON LONDON. Inside, the counter has disappeared, and the shop has turned into a high end Pop Up shoe shop.

Tom Kilgallon’s fortnightly Sunday pop-up shop

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Tuscany, Italy, last year. The first thing our guide to the Etruscans said was, ‘Everyone calls the Etruscans “mysterious” and it’s simply not true.’ By the end of the week, I thought: You’re wrong. Yes, thanks to archaeology, we can see inside their tombs; admire their grave goods, the amazing terracotta sculptures, and their famous black bucchero ware; and we know what the Romans thought of them. But, for me, the Etruscans themselves still remain fascinatingly elusive. This is why.

 Apollo, from the temple at Veii

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I first came across the Italian artist, Artemisia Gentileschi (1597-1652), in Our Hidden Heritage by Eleanor Tofts, published in 1974. It was one of those books at the forefront of the Women’s Liberation Movement of the 1970s which sought to re-instate women writers, artists and composers whose works had been forgotten or downgraded.

Our Hidden History by Eleanor Tofts, 1974

Artemisia was taught to paint by her father, Orazio Gentileschi, in Rome. Both were influenced by the new style of the painter, Caravaggio, with its accentuated use of shadows, strong colours and dramatic story-telling. Artemisia became known for her wit and high-spirits, as well as her painting. But, when she was only seventeen, her life took a traumatic turn. She was raped by a friend of her father’s, a fellow painter called Agostino Tasso. Orazio appealed to the Pope and Agostino was brought to trial. Artemisia was cross-questioned under torture but held firm, and Tasso was imprisoned for eight months. Poor Artemisia was hastily married off and moved to Florence.

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I’m always delighted to be invited to a Bloggers’ Breakfast at the Queen’s Gallery; I know I’ll be in for a treat – and that’s not including the delicious coffee and croissants.

Bloggers breakfast

Oh! the croissants!

Their new exhibition, Portrait of the Artist, showcases 150 portraits from the Royal Collection, and the range is much wider than you’d expect. Not only are there the greats: Rubens, for example, but also humbler artists, like Paul Sandby, whom I’ve long admired; the photographer, Herbert Ponting – ditto; and the decidedly bizarre, like the French tragedienne Sarah Bernhardt’s large bronze inkwell in the form of herself as a harpy-like creature with bat’s wings, clawed feet clutching the inkwell, and with her own head.

In this post, I have chosen to look mainly at the more unexpected exhibits.

E Bernhardt inkwell EH

Inkwell of a harpy-like creature by Sarah Bernhardt Continue reading

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Last Thursday, I was lucky enough to be invited to the preview of this small but fascinating exhibition at the British Library. It celebrates late 19th century popular entertainment through vividly-coloured posters, playbills, and various magical artefacts. It concentrates on major entertainment characters, such as Dan Leno, Mr Evanion, ‘Lord’ George Sanger, and John Nevil Maskelyne.

I love this cut-out novelty of Ada Blanche as Dick Whittington on a swing, plus cat in Dan Leno’s pantomime at the Theatre Royal, London in 1894.

Ada Blanche as Dick Whittington advertising novelty

Theatre Royal novelty: Now in full swing, Dick Whittington at Drury Lane

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This year’s exhibition accompanying the summer opening of the state rooms at Buckingham Palace looks at 90 years of style from the Queen’s wardrobe. I always enjoy these Bloggers’ Breakfast occasions, from seeing who else has been invited (this time, the impressive Suzy Menkes of Vogue), the enthusiasm of the curator, and the welcome voucher for tea/coffee and our choice of cake afterwards.

For GR VIs coronation

Princesses’s dresses, robes and coronets for the coronation of King George VI, May 1937

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