Frances Hodgson Burnett’s 1911 novel The Secret Garden was described by the writer Marghanita Laski as ‘the most satisfying children’s book I know.’ I first read it when I was about 8 and I continued to read it throughout my childhood – and I still read it from time to time – always with pleasure. Interestingly, back in 1911, the book did not make much impression on the public (it wasn’t even mentioned in the author’s obituary in The Times in 1924) but gradually, over the years, it has acquired a host of devoted readers – including myself. It is now viewed as her masterpiece.
Frontispiece: Mary discovers the doorknob to the Secret Garden
I’ve been thinking about Lydia’s role in Pride and Prejudice and I’ve come to the conclusion that she is far more important to the plot than it might seem at first sight. Lydia is entirely self-centred. She’s never sorry for anyone else, or ever considers anybody else’s point of view. She is concerned only with herself.
2020 is the 25th anniversary of the passing of the 1995 Disability Discrimination Act, an act set up to create a level playing field to enable all, no matter what their disability, to live a full life with the same opportunities as everyone else. The fight has been a long one, and it’s not over yet.
Last week, when writing my blog on Girls’ First Names, I discovered that Delilah was no. 76 in the top 100 girls’ names for 2019 – which surprised me. Did the parents of all those baby Delilahs knowthat the original Delilah was a high class courtesan who managed to wangle the secret of Samson’s superhuman strength out of him and then betray him to his enemies, for which she was paid a huge amount of money?
From Cecil B de Mille’s Samson and Delilah, 1949. Hedy Lamarr as Delilah, Victor Mature as Samson.
The Strand Magazine (1891-1950) was one of the most popular magazines of the late Victorian Age; it came out monthly and I have my Great-Grandfather’s copy of the first hardback edition of TheStrand Magazine, Jan-June, 1891. It contained short stories, some translated from foreign languages; e.g. Russian (A. Pushkin); and French (Victor Hugo), together with articles of general interest. It was fully illustrated and targeted a middle-brow, middle-class readership; with something for everyone. The list of authors who wrote for The Strand Magazine was impressive and included Agatha Christie, Rudyard Kipling, and P. G Wodehouse. Arthur Conan Doyle’s Sherlock Holmes stories were serialized in The Strand Magazine, where Sidney Paget’s illustrations defined what Holmes looked like so perfectly that it’s now impossible to visualize him any other way. The magazine was phenomenally successful and, until the Second World War, it regularly sold 500,000 copies a month.
About ten years ago, I bought a tattered old copy of a 19th century children’s book, 13 by 17 cms, called Dame Trot and her Comical Cats published in 1850 by Dean & Co of Threadneedle Street, London. It was a best seller and I thought it might be interesting to look into its history. Its story is a complicated – and convoluted – one.
The front cover picture shows an artist cat painting the portrait of the famous Dame Trot which stands on the easel
James Henry Leigh Hunt, to give Hunt his full name, was one of those people who everyone who was anyone in either politics or the arts knew, or at least knew of. In 1808, aged only 24, he, together with his older brother John, set up The Examiner, a weekly political paper which prided itself on its political independence; it was liberal and reformist in its opinions and it attacked, ferociously, whatever Hunt felt deserved it.
Leigh Hunt by Benjamin Haydon, courtesy of National Portrait Gallery
This week, I’m stepping back in time – a long way: to 1980 in fact, when I sold my first Rachel Summerson novel, Hearts are Trumps, to Sidgwick & Jackson. The following year, it came out in America, published by St Martin’s Press who renamed it Belgrave Square: A Novel of Society.
Me lecturing at Caerleon Writers’ Holiday, something I enjoy doing.
In 2013, Joanna Trollope published Sense & Sensibility, one of the Austen Project books which aimed to re-write Jane Austen’s novels, scene by scene, but in a modern setting. I have only just read it, and I can’t understand how I came to miss it – perhaps because 2013 wasn’t a good year for me. I thoroughly enjoyed it, and she has an interesting take on Margaret Dashwood.
This post is in two parts. This week I shall look at the role of Margaret Dashwood, firstly, in Jane Austen’s Sense & Sensibility and then I’ll contrast it with Emma Thompson’s depiction of Margaret Dashwood in her Screenplay of Sense & Sensibility which won the 1996 Academy Award for Best Screenplay, as well as earning Emma Thompson an Oscar for Best Adapted Screenplay. The differences are interesting.