One thing I really enjoyed about the Victoria & Albert Museum’s Ocean Liners exhibition, was seeing new, and unexpected, works by 20th century artists I’d long admired.
Take Edward Ardizzone, (1900-1979). I knew him as a children’s book illustrator but didn’t know that the P & O Line had commissioned him to produce three large murals for the first class children’s playroom on board the Canberra in 1960-61. This is a detail from one of them.
Left hand side of Edward Ardizzone’s ‘Canberra’ mural
Continue reading V & A Ocean Liners: Artists on Board
Earlier this week I was invited to the preview of the new blockbuster exhibition at the Victoria & Albert Museum: Ocean Liners: Speed and Style. If you want a bit of luxury and glamour – and who doesn’t? – this is a must see exhibition. So this week I’m inviting you to come with me back to the glory days of the Ocean Liner and let me take you on a luxury five day London to New York trip – no expense spared.
Continue reading V & A, Ocean Liners: Sailing in Style
This is the culprit – one of the items in the Undressed: a Brief History of Underwear exhibition at the Victoria & Albert Museum. The signage tells us that it is a cuirass bodice dress in silk satin and lace, dating from 1876 and adds that it was considered shocking at the time because…. I thought it might be fun to look more closely at why it was so shocking.
Cuirass bodice dress, 1876
Continue reading V & A: The Case of the Shocking Red Dress
I always like to end a visit to a exhibition by walking round swiftly one last time and choosing an object to take home. It doesn’t have to remotely practical – this is Fantasy-land, after all, and I can have anything I like. In the V & A’s exhibition Undressed: A Brief History of Underwear I was spoilt for choice.
Negligée in silk satin and Chantilly lace, 2012
Continue reading Seductive Negligée Lady meets Y-fronts Man
A week or so ago, I was invited to the preview of the V & A’s terrific new exhibition Undressed: A Brief History of Underwear. Lucky me, I thought, at last I shall be able to see exactly what a Regency Buck wore underneath his skin-tight pantaloons and superbly-tailored coat.
Brass bra and harem pants, 1970
Fortunately, the hunky cameramen wielding tripods and cameras were more transfixed by the 1970s brass bra and harem pants, not to mention the sexy silk satin and lace negligée as worn by Bérénice Marlohe, the femme fatale Bond girl in Skyfall, than by the Regency male underwear on display. The woman standing next to me raised her eyes to the ceiling and muttered, ‘Typical!’ So I was able to study the Regency Buck undressed in peace.
Continue reading The Regency Buck – undressed.
The V & A’s exciting new exhibition Curtain Up: Celebrating 40 Years of Theatre in London and New York celebrates the creative cross-fertilization between Broadway and London’s West End theatres since 1975. The exhibition rooms have been transformed into a backstage space, full of mysterious shadows and bright ever-changing lights in neon blues and reds. The V & A wants to entice you into a world which is larger, brighter and more glamorous than ordinary life. And, on this chilly February day, it’s more than welcome!
Theatrical spectacle is all about creating the right effect: everything is bigger, bolder and more glitzy than in real life, and there’s nothing like seeing the actual costumes from big hits to be struck by their impact.
Michael Crawford’s suit for Phantom of the Opera
Continue reading V & A Museum: Three Cheers for Live Theatre