The Historical Writers Association Gold Crown Award

A month or so ago, I was honoured with an invitation to be one of the judges for the Historical Writers’ Association Gold Crown Award, 2021. Part of me thought: Elizabeth! Haven’t you got enough to do already? But another part of me argued – It will be good for you. You’ve been so absorbed in getting your Elizabeth Hawksley back list up in e-books which has been a huge learning curve and frequently driven you bonkers, that you’ve actually done very little else.

Cover for Christopher’ Wilson’s ‘Hurdy Gurdy’

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A Red Letter Day

About a month ago, a letter fell onto my doormat which completely knocked me for six. It was from my agent at Johnson & Alcock and I hadn’t heard from them for over 10 years. They hadn’t published a book of mine since Highland Summer came out with Robert Hale in 2003 so why had they written to me now? It didn’t even look like the previous letters I’d had from Johnson & Alcock – the heading was far classier, for a start. For a mad moment, I wondered if it might be a scam.

Elizabeth giving a talk at Caerleon

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My e-book Launch of ‘Highland Summer’

This is the week of my e-book launch of Highland Summer and I’d like to tell you a bit about the book.

I try to set myself a technical challenge with all my books and those of you who have been following my e-books story so far, will know that Highland Summer is where I intersperse the third person narrative with extracts from the heroine, Robina’s, journal, as I explained in my blog last week. It was fascinating to see how Robina’s character gradually changed as I allowed her to have her say in what was going on.

 

e-book cover for ‘Highland Summer’. I’m so thrilled it’s coming out tomorrow! Continue reading My e-book Launch of ‘Highland Summer’

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Writing Tips: Getting a Character Unstuck

I am busy getting my Elizabeth Hawksley back list of ten historical novels into e-books The first e-book will be Highland Summer and I’ve been remembering the struggle to introduce my heroine, Robina (an intelligent but naive seventeen-year-old girl) in such a way as to make her interesting. The novel was in the third person and I was getting desperate. And then I had an idea: I would write Robina’s diary and see what happened. Perhaps a (temporary) first person viewpoint would help to free the block.

I’m stuck, dammit! What am I to do?

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Elizabeth Hawksley e-books: Looking Good to Go

On 10th May, I put up a post about my lockdown project of getting my Elizabeth Hawksley historical novels into e-books. Now, ten weeks later, the first book, Highland Summer is almost ready and it’s been a steep, not to say precipitous, learning curve. However, thanks to computer wizard John Hocking, and his wife Janet Gover, another computer wizard, both brilliant at explaining things, we are at last getting there.

Elizabeth looking apprehensive but trying not to show it. Photo by Sally Greenhill

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Writing Tips: my First Novel and the Hermione Factor

This week, I’m stepping back in time – a long way: to 1980 in fact, when I sold my first Rachel Summerson novel, Hearts are Trumps, to Sidgwick & Jackson. The following year, it came out in America, published by St Martin’s Press who renamed it Belgrave Square: A Novel of Society.

Me lecturing at Caerleon Writers’ Holiday, something I enjoy doing.

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Elizabeth Hawksley: e-books to go

Lockdown does strange things. I’d been thinking for a long time about getting my back list of 10 novels into e-books but, somehow, it’s remained at the thinking stage. Should I edit and re-write my early novels – I could see where they needed work – or I should operate on the ‘sod it’ principle and, after altering any spelling mistakes or obvious errors, publish them as they originally were. I’d begin with my first Elizabeth Hawksley: Lysander’s Lady, and put them into e-books sequentially, ending with my most recent novel, Highland Summer.

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Frances Hodgson Burnett: A Little Princess

Frances Hodgson Burnett’s A Little Princess (1905) was one of my favourite books as a child. The heroine, Sara Crewe, says early on: Whenever I play I make up stories and tell them to myself.’  I, too, told myself stories, and I knew at once that this would be my sort of book.

Sara was born in India and, as was usual then for health reasons, was sent to England for her education when she was seven. We first meet her with her much loved father in London, being taken to Miss Mitchin’s Select Academy for Young Ladies. She will be a parlour border, that is, she will stay there during the holidays. I, too, was at a Primary boarding school – so that was another thing we shared.

‘Oh, Papa!’ she cried, ‘There is Emily.’

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Sleeping in a Four-Poster Bed

I am lucky enough to sleep in a four-poster bed. It dates from around 1850 and is 5 ft 6 ins wide, 6 ft 8 ins long, and nearly 8 ft high. Fortunately, my terraced 1820 house has high ceilings. The bed has a roof canopy, a curtain behind my head, side curtains which remind me of sails on a tea clipper, arched pelmets around three sides at the top, and three lower valances which cover from  the bottom of the mattress to the floor. Sleeping in it is like being on board a galleon.

My 1850s four-poster bed

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