Notable People

Room 61, in the British Museum’s Egyptian Galleries, which showcases the wonderful Tomb of Nebamun, is one of my favourite rooms. The display is created around eleven frescoes from the tomb of Nebamun, who lived in the city of Thebes (present-day Luxor) on the River Nile, around 1325 B.C. He was a middle-ranking official scribe and grain counter working at the nearby temple complex; and an important man. The frescoes were acquired by the museum in the 1820s.

The herdsman and peasant farmers herd Nebamun’s cattle to be counted. (Photo courtesy of the British Museum)

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Kate Greenaway (1846-1901) was a late Victorian artist who specialized in beautifully designed paintings of children, mainly little girls, in Regency costume to illustrate stories and poems. ‘She created a small world of her own, a dream world, a never-never land,’ said one critic, and it was one which was, financially, extremely successful.

Illustration of ‘Jack and Jill’ from ‘Mother Goose’ (1886)

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This week I’m in Rochester, an important naval town on the River Medway which flows into the Thames. There is a huge amount to see in Rochester from Roman times onwards, but today I’m looking at one house.

Being a Charles Dickens fan, I have long wanted to visit Restoration House, supposedly Dickens’  inspiration in Great Expectations for Miss Havisham’s home, Satis House, that ‘large and gloomy’ place, full of dust, cobwebs and shadows and lit only by candlelight. It is here that the young Pip is entrapped by Miss Havisham’s desire to seek revenge, through him, for her lover jilting her so cruelly on her wedding day.

Restoration House

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I have long been a fan of the architect Sir John Soane (1753-1837); and his London home in Lincoln’s Inn Fields, now Sir John Soane’s Museum, is one of my favourite places. I love its quirkiness, its ingenious use of light – long horizontal windows in strange places, like just below the ceiling and skylights letting in light from above – and the unexpectedly vibrant colours he liked to use.

Sir John Soane by Sir Thomas Lawrence, courtesy of the National Portrait Gallery

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This year, the Queen’s Gallery marks 500 years since the death of Leonardo da Vinci (1452-1519) with a thrilling new exhibition which displays over 200 drawings held in the Royal Collection. What makes them so extraordinary is that you feel at once that you are being allowed inside the head of a genius, a man who was, above all, curious to know how things worked.

1. Study of shoulder muscles from sketchbook of Leonardo da Vinci

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When I was a child, The Armourer’s House by Rosemary Sutcliff, set in Tudor London,, was one of my favourite books. So when I heard that the Islington Archaeology & History Society had arranged a visit to The Armourers’ Hall, I jumped at it.

My first glimpse inside the Armourers’ Hall didn’t disappoint. I loved the red-carpeted staircase with a suit of armour either side and weapons on the walls. 

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In this post, I am remembering the battle of Albuera, on 16th May, 1811 – as I do every year, ever since I visited the battlefield and learnt what happened on that ‘Field of Grief‘ as Lord Byron put it,  208 years ago.

The battle of Albuera in 1811 and the storming of Badajoz in 1812 were among the bloodiest engagements of the Spanish Peninsular War (1808-1813). Almost forgotten today, the battles fought between the British, under Wellington, and their Portuguese and Spanish allies, against the might of the Napoleon’s army were once household names.

The town’s own memorial to the Battle of Albuera

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It’s a miracle that the Chelsea Physic Garden, London’s oldest botanic garden, has survived at all. Nowadays, it’s in a prime property location in the centre of London but back in 1673 it was simply four acres of land bordering the River Thames well outside London, acquired by the Worshipful Company of Apothecaries who needed a medicinal garden to grow herbs in order to train their apprentices in the identification and proper use of medicinal plants.

Garden Urn, Chelsea Physic Garden: in a 17th century garden, a touch of Classical elegance is expected

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