The story of Judith and Holofernes from the Old Testament inspired a number of Renaissance artists, Cristofano Allori and Artemisia Gentileschi among them, to paint the beautiful Jewish heroine, Judith, chopping off the head of Holofernes, the Assyrian General who had been sent by King Nebuchadnezzar to conquer Palestine. Sex and violence, as ever, proved to be a popular mix – and very sellable.
Continue reading The Queen’s Gallery: Judith and Holofernes
I first came across the Italian artist, Artemisia Gentileschi (1597-1652), in Our Hidden Heritage by Eleanor Tofts, published in 1974. It was one of those books at the forefront of the Women’s Liberation Movement of the 1970s which sought to re-instate women writers, artists and composers whose works had been forgotten or downgraded.
Our Hidden History by Eleanor Tofts, 1974
Artemisia was taught to paint by her father, Orazio Gentileschi, in Rome. Both were influenced by the new style of the painter, Caravaggio, with its accentuated use of shadows, strong colours and dramatic story-telling. Artemisia became known for her wit and high-spirits, as well as her painting. But, when she was only seventeen, her life took a traumatic turn. She was raped by a friend of her father’s, a fellow painter called Agostino Tasso. Orazio appealed to the Pope and Agostino was brought to trial. Artemisia was cross-questioned under torture but held firm, and Tasso was imprisoned for eight months. Poor Artemisia was hastily married off and moved to Florence.
Continue reading Celebrating Artemisia Gentileschi