When I was fifteen, my mother gave me Gene Stratton Porter’s A Girl of the Limberlost for Christmas. It was a book she’d loved as a child and she thought I might like it, too. First published in 1909, it was republished sixty-one times, and, by the time the author died in 1924, more than 10 million copies of her various books had been sold. A Girl of the Limberlost was also turned into a Silent Film.
Gene Stratton Porter, courtesy of Wikipedia
So, who was this prolific author? Geneva Grace Stratton Porter (1863-1924) was born into a farming family in Wabash County, Indiana, and grew up near the Limberlost swamp, a huge wetlands area known for its rich flora and fauna and home to migrating birds and rare insects, particularly moths. But by the early 20th century, it had been drained almost completely for agricultural development. A Girl of the Limberlost is, in a way, Stratton Porter’s threnody for its loss.
She was also a Nature photographer and wrote numerous articles on Natural History, as well as being a popular novelist whose books were translated into many languages. She was ahead of her time in her concern for Conservation, and her novels have three- dimensional characters with proactive heroines who go out and do things.
My copy of ‘A Girl of the Limberlost’, cover designed by Pearl Falconer
The heroine, Elnora Comstock, lives with her cold, unloving mother, who cannot forgive her daughter for (inadvertently) causing her husband’s death – he drowned in quicksand in the swamp while Mrs Comstock was giving birth. Elnora is intelligent, talented and hard-working. She loves the swamp, especially its moths, and sets out to make enough money to support herself through high school by selling specimens to collectors – an activity she keeps hidden from her unsympathetic mother.
Deilephila lineata from ‘Moths of the Limberlost’
The story is very much a journey of self-discovery, not only for Elnora, who has her mettle thoroughly tested – as every heroine should – but also for her mother. Mrs Comstock is cold and bitter, and she behaves towards Elnora with a callous lack of sympathy, but her saving grace is her honesty and a certain caustic wit. She, too, has things to learn.
Then there is Philip Ammon, a young man who comes to the Limberlost to recover from typhoid fever. He and Elnora gradually fall in love – but Philip has a spoilt, socialite fiancée, Edith Carr, back home…
The back cover of ‘A Girl of the Limberlost’, designed by Pearl Falconer, and published by Brockhampton Press, 1959
My copy is a 1959 newly-edited edition. As the editor, Olive Jones, explained, it was originally a very long book and she felt that it would be improved if it were edited sympathetically for a modern audience. ‘Shorn of a good deal of unnecessary padding and repetition, Elnora Comstock and her mother emerged rather like the moths and butterflies of the Limberlost. … I imagine the author intended (Mrs Comstock) as the villain of the book: a mother ruining her daughter’s life by her selfishness. But somehow Mrs Comstock steals the picture. She combines an acid tongue and an intolerance of hypocrisy with a mischievous sense of humour.’
Frontispiece by Pearl Falconer (1911-2000)
I think Olive Jones has done an excellent job. It took her two years to edit and was obviously a labour of love. As an author myself I know that every author needs a sympathetic and skilful editor. It’s still quite a long book but I can’t imagine it being bettered And Pearl Falconer’s cover design and frontispiece complements the book perfectly.
It’s also, I think, an unusual book for its time. Mrs Comstock is no Marmee; she’s pretty horrible, and we want her to get her comeuppance. Elnora has to fight her every inch of the way.
I’m very grateful to my mother for giving it to me that Christmas. It was a perfect present for an imaginative teenager.
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