Celebrating Artemisia Gentileschi

I first came across the Italian artist, Artemisia Gentileschi (1597-1652), in Our Hidden Heritage by Eleanor Tofts, published in 1974. It was one of those books at the forefront of the Women’s Liberation Movement of the 1970s which sought to re-instate women writers, artists and composers whose works had been forgotten or downgraded.

Our Hidden History by Eleanor Tofts, 1974

Artemisia was taught to paint by her father, Orazio Gentileschi, in Rome. Both were influenced by the new style of the painter, Caravaggio, with its accentuated use of shadows, strong colours and dramatic story-telling. Artemisia became known for her wit and high-spirits, as well as her painting. But, when she was only seventeen, her life took a traumatic turn. She was raped by a friend of her father’s, a fellow painter called Agostino Tasso. Orazio appealed to the Pope and Agostino was brought to trial. Artemisia was cross-questioned under torture but held firm, and Tasso was imprisoned for eight months. Poor Artemisia was hastily married off and moved to Florence.

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Queen’s Gallery: Portrait of the Artist

I’m always delighted to be invited to a Bloggers’ Breakfast at the Queen’s Gallery; I know I’ll be in for a treat – and that’s not including the delicious coffee and croissants.

Bloggers breakfast

Oh! the croissants!

Their new exhibition, Portrait of the Artist, showcases 150 portraits from the Royal Collection, and the range is much wider than you’d expect. Not only are there the greats: Rubens, for example, but also humbler artists, like Paul Sandby, whom I’ve long admired; the photographer, Herbert Ponting – ditto; and the decidedly bizarre, like the French tragedienne Sarah Bernhardt’s large bronze inkwell in the form of herself as a harpy-like creature with bat’s wings, clawed feet clutching the inkwell, and with her own head.

In this post, I have chosen to look mainly at the more unexpected exhibits.

E Bernhardt inkwell EH

Inkwell of a harpy-like creature by Sarah Bernhardt Continue reading Queen’s Gallery: Portrait of the Artist

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British Library Victorian Entertainments: There Will Be Fun

Last Thursday, I was lucky enough to be invited to the preview of this small but fascinating exhibition at the British Library. It celebrates late 19th century popular entertainment through vividly-coloured posters, playbills, and various magical artefacts. It concentrates on major entertainment characters, such as Dan Leno, Mr Evanion, ‘Lord’ George Sanger, and John Nevil Maskelyne.

I love this cut-out novelty of Ada Blanche as Dick Whittington on a swing, plus cat in Dan Leno’s pantomime at the Theatre Royal, London in 1894.

Ada Blanche as Dick Whittington advertising novelty

Theatre Royal novelty: Now in full swing, Dick Whittington at Drury Lane

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Buckingham Palace: 90 Years of Style

This year’s exhibition accompanying the summer opening of the state rooms at Buckingham Palace looks at 90 years of style from the Queen’s wardrobe. I always enjoy these Bloggers’ Breakfast occasions, from seeing who else has been invited (this time, the impressive Suzy Menkes of Vogue), the enthusiasm of the curator, and the welcome voucher for tea/coffee and our choice of cake afterwards.

For GR VIs coronation

Princesses’s dresses, robes and coronets for the coronation of King George VI, May 1937

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V & A: The Case of the Shocking Red Dress

This is the culprit – one of the items in the Undressed: a Brief History of Underwear exhibition at the Victoria & Albert Museum. The signage tells us that it is a cuirass bodice dress in silk satin and lace, dating from 1876 and adds that it was considered shocking at the time because….  I thought it might be fun to look more closely at why it was so shocking.

Cuirace dress close up

Cuirass bodice dress, 1876

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Celebrating Charlotte Brontë

2016 is the bi-centenary of the birth of Charlotte Brontë and the National Portrait Gallery is celebrating it with a small exhibition which looks at what inspired her writing.

3 sisters by Bramwell

The Brontë Sisters by Bramwell Brontë

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Seductive Negligée Lady meets Y-fronts Man

I always like to end a visit to a exhibition by walking round swiftly one last time and choosing an object to take home. It doesn’t have to remotely practical – this is Fantasy-land, after all, and I can have anything I like. In the V & A’s exhibition Undressed: A Brief History of Underwear I was spoilt for choice.

41 Negligee for Berenice Marlohe

Negligée in silk satin and Chantilly lace, 2012

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The Regency Buck – undressed.

A week or so ago, I was invited to the preview of the V & A’s terrific new exhibition Undressed: A Brief History of Underwear. Lucky me, I thought,  at last I shall be able to see exactly what a Regency Buck wore underneath his skin-tight pantaloons and superbly-tailored coat.

39 Brass bra & Harem pants 1970

Brass bra and harem pants, 1970

Fortunately, the hunky cameramen wielding tripods and cameras were more transfixed by the 1970s brass bra and harem pants, not to mention the sexy silk satin and lace negligée as worn by Bérénice Marlohe, the femme fatale Bond girl in Skyfall, than by the Regency male underwear on display. The woman standing next to me raised her eyes to the ceiling and muttered, ‘Typical!’ So I was able to study the Regency Buck undressed in peace.

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Queen’s Gallery: For the Love of Scotland

The Queen’s Gallery has two exhibitions on at the moment. The larger exhibition space is showing  Scottish Artists 1750-1900: from Caledonia to the Continent which I also saw at the Bloggers’ Breakfast preview last week. All the pictures come from the Royal Collection and the exhibition’s subtitle is well chosen – Sir Walter Scott’s phrase ‘Caledonia stern and wild’ comes to mind. I’m concentrating on just four of the paintings which George IV, Queen Victoria and Prince Albert bought that show their love of Scotland.

Deborah Clarke talks

Deborah Clarke talks about the exhibition

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Queen’s Gallery: Maria Merian’s spectacular butterflies

On Friday, I had the great pleasure of being invited to the Bloggers’ Breakfast at the Queen’s Gallery, Buckingham Palace, to a preview of the new exhibition, Maria Merian’s Butterflies.

Frangipani

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